Description

by Jared Pappas-Kelley

—from the series Mapping Financial Abundance

In Abundance Green 1, 9, the loop tightens. Set against a field of verdant, almost clinical green, the white figure feels like both code and caveat—evoking systems dressed as nature, logic, or growth. As part of the Mapping Financial Abundance series, this piece speaks to the aesthetics of legitimacy: how financial systems borrow the language of health and renewal while quietly sustaining the same recursive patterns.

Printed using archival-quality giclée techniques on museum-grade 250gsm matte paper, framed in durable pine with shatterproof plexiglass, and ready to hang.

• Edition: Limited to 10 prints per colourway
• Includes: Hand-signed and numbered certificate of authenticity (shipped separately)
• Size: A3 (297 × 420mm)
• Paper: FSC-certified, natural white, 250 gsm (110 lb), thickness: 0.29 mm (11.4 mils). Matte, uncoated, archival museum-quality paper.
• Frame: Responsibly sourced oak and ash wood. 20mm (0.79″) thick and wide. Shatterproof plexiglass protects the print.

About the Artist

Jared Pappas-Kelley

Website |  + postsBio

Jared Pappas-Kelley is an artist and writer whose work explores undoing, disappearance, and the sacred in contemporary culture. Their research and practice trace the role of destruction as a generative force within the creative act. Their books include Solvent Form: Art and Destruction, To Build a House That Never Ceased, and Stalking America. Their work has been exhibited internationally at venues including San Francisco MoMA, Mass MoCA, Five Years (London), Islington Mill (Manchester), and Glasgow International.

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